‘A dynamic metal-rooted band who continue to incorporate progressive rock into their intensely eclectic epic tunes.’
Makin Waves
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Pop-Rock
Makin Waves with Accidental Seabirds, Jackson Pines and The Porchistas
by BOB MAKINby BOB MAKINBands will perform at the Makin Waves Roots Fest at Langosta Lounge and the Asbury Park Yacht Club, Nov. 18.
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Pop-Rock
Makin Waves’ Record of the Week: Albert Savage’s ‘Savage on the High Seas’
by BOB MAKINby BOB MAKINAlbum features a ‘mix of pretty poignancy and booty-shakin’ fun.’
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Band performs at Starland Ballroom in Sayreville, Nov. 11.
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Pop-Rock
Makin Waves Scene Report with Jeff Linden and the Black Spot Society, Brian Fallon and more
by BOB MAKINby BOB MAKINAlso The Saint, Mikey Erg, The Weeklings, Lump ‘N’ Loaf Records, Elk City, Nalani and Sarina, Mike Daly and the Planets.
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Pop-Rock
Makin Waves’ Records of the Week: Bobby Mahoney and the Seventh Son’s ‘Empty Passenger Seats’ and ‘Another Deadbeat Summer’
by BOB MAKINby BOB MAKIN‘Empty Passenger Seats’ is a pop-punk rave-up that captures the band’s live raw energy better than anything else they’ve released
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‘People need to hear this album, not just because it’s good but because it heals.’
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Alterna-pop band will perform at the Wonder Bar in Asbury Park, Oct. 30.
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Pop-Rock
Makin Waves with the rootsy family of Mass Folk Commons and Tiffany Harned
by BOB MAKINby BOB MAKINBand will perform at the Makin Waves Rock Circus concert at Roxy and Dukes in Dunellen, Oct. 21.
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Pop-Rock
Makin Waves’ Record of the Week: The Successful Failures’ ‘Ichor of Nettle’
by BOB MAKINby BOB MAKINAlbum features ‘some of the most dynamic, lyrical, eclectic yet focused songwriting to grow from the Garden State.’
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Pop-Rock
Makin Waves’ Record of the Week: The Brixton Riot’s ‘Close Counts’
by BOB MAKINby BOB MAKINA band that “successfully fuse their American and British influences, often on the same song and from disparate places.”
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Pop-Rock
Makin Waves’ Record of the Week: Alan Grant’s ‘A Reason to Smile’
by BOB MAKINby BOB MAKINAn album that ‘delves into life’s many pains and few celebrations in a relatable way.’